Why do I keep watching this show??

2010 November 13
by kvanaren

Listen, sometimes I watch Private Practice. It’s pretty embarrassing – I would claim it’s even worse than something like Real Housewives of Beverly Hills or Sarah Palin’s Alaska, because at least these shows have some cultural cache. People talk about them, it’s super fun to rag on them – at least you can pretend you’re trying to keep up with the conversation. There’s not much chatter about Private Practice, and so the fact that I occasionally keep up with the happenings at Oceanside Wellness is something I generally keep to myself.

Xander, no!

But last week, Private Practice actually made the internet rounds, due entirely to its Very Special Episode In Which A Cast Member Gets Raped. As television representations of rape go, it wasn’t really that bad. There was very little sentimentality, and the episode stayed surprisingly true to a realistic outcome – the victim refused to report the crime, and the rapist was set free, even though the police actually had him in custody. (Also, the rapist was Buffy the Vampire Slayer’s Xander Harris, which of course led me to believe a simple demonic possession was to blame for everything.) Taken as an event inside larger project of Private Practice, the incident is of course absurd. I’ve written before about the way dialogue on the show has an uncanny way of mirroring the metanarrative. Violet, in particular, is prone to moaning things like “It seems like we’re all cursed!” and “Why do bad things keep happening to us?!” After the horrific events of…well, of every season ending on this show, it seems incredibly unlikely that a cast member would be the victim of yet another violent crime. As a single episode, though, the whole thing was startlingly plausible. “Props to you, Private Practice,” I thought. “Huh, I wonder what will happen next week?”

This week, of course, all that good representational and narrative work just went to hell. First up, the continuing rape plotline. After all my happiness that Charlotte’s rape went unreported and un-avenged (not out of a lack of empathy for Charlotte, mind, but out of respect for the political project), sure enough, just one episode later characters are poking and prodding into a possible rape and voila! Addison pulls some secret DNA tests out of a drawer. Not only that, Sheldon charges back down to the police station to demand they arrest that crazy guy they had a few nights ago, and yep! Retribution ahoy.

Turns out, the wife is the abuser! That's so wacky!

It gets even worse. The B-story this week was about a marital abuse case, except the abuser was a wife with a cancer diagnosis, and the abuse victim was her loving husband. Debate raged among the Oceanside staff – should they report the abuse? Should they leave it alone, as the husband insisted? “Would we be having this discussion if the victim was the wife?,” they wondered, and the answer was, “No, probably not. We’d totally just throw that guy in jail.” It’s supposed to be a thoughtful discussion about the gendered discourse of domestic violence, and for a second, it looks like Private Practice might pull this thing off.

But wait, this abuse debate isn’t quite as even-handed as it seems. As it happens, the wife isn’t just some evil abuser – a tumor on her ovary is secreting testosterone and that’s what’s causing her violence and uncontrollable outbursts. The doctors try to surgically remove the tumor, but it doesn’t work, and the couple has to deal with what to do next. Rather than sending the wife to hospice where her rage can be managed and her husband won’t get hurt, obviously the happy, abusive wife gets sent home with her devoted spouse. Because despite that discussion we all had just a few minutes ago, we know that wives don’t hit their husbands unless they have some physical cause, and even then, their husbands should just deal with it.

For a second, I worried that Private Practice might be reforming, but I needn’t have worried. One decent Very Special episode does not a decent show make.

My favorite finale of the season

2010 May 27
by kvanaren

The main TV season has come to an end, and I’ve been working to catch up on all the finales I missed while flying through New Mexico. My favorite so far, in terms of its utter, absurd, unbelievably crazy levels of ridiculousness has been the finale to Private Practice. In it, Maya and Dell are in a car crash, and while Addison tries to figure out how to save Maya’s unborn baby while also preventing Maya’s permanent paralysis, Maya’s father Sam unknowingly operates on the guy who smashed into their car. Meanwhile, Cooper and Charlotte decide to get married, Violet and Pete get back together, and Naomi’s boyfriend lies to her about receiving a new treatment for his end-stage ALS, with the help of her other sort of boyfriend. At the same time, Amelia freaks out about her surgical competence, and then even though Addison is able to save Maya and the baby’s life, it’s actually Dell who dies suddenly from an undiagnosed brain bleed. Which is a shame, because it seems like just a few episodes ago that his ex-wife died in a massive explosion, which means his young daughter Betsey is now parent-less. And then at the end Addison sleeps with Sam, after Naomi gives them her blessing. All of this happens in just one hour of TV – about forty-two minutes, not counting commercials.

I know.

Sorry, Dell. Your minutes are numbered.

Sorry, Dell. Your minutes are numbered.

Yes, this is a particularly egregious example of finale mayhem from Shonda Rhimes, whose flagship show Grey’s Anatomy went with the classic “there’s a shooter roaming the hallways of this hospital” technique for its final episode of the season. At least the Grey’s finale got two hours to fully milk all the terror and heart-pumping melodrama – Private Practice tried to pour twenty-two buckets of crazy into a one-gallon Ziploc bag, and the result is about as watertight as a sieve. With a hole in it. I really think it even beat out last year’s finale, in which one of pregnant Violet’s crazy patients showed up at her house and cut Violet’s baby out of her womb while a conscious Violet attempted to coach her in order to save the baby’s life.

Cooper proposing to Charlotte, while many people he loves are dying

Cooper proposing to Charlotte, while many people he loves are dying

And that right there is why I have continued to watch Private Practice, even though it is arguably among the worst primetime soaps out there. Every time you think you’ve achieved some kind of limit about how much crazy plot you can fit into an hour, Private Practice says, “You know what? I bet I could squeeze another marriage proposal somewhere in there.” But the real spectacle comes from watching the writers attempt to create dialogue for characters with supposedly realistic lives and personalities inside the show’s manic-depressive funhouse universe. The results are particularly apparent in this last episode – at one point or another, almost every character looks at someone else and says, “Why does this sort of thing keep happening to us?” “Why can’t we catch a break?” “What other terrible things could possibly happen?” “When will this awful day ever end?” The result is kind of amazing. It’s as though you’re watching an insane show where the characters have become self-aware and are beginning to voice their dissent against being perpetual martyrs to over-the-top melodrama. Violet really voices it best, while they all sit in the hospital waiting room. “Once again, here we are, in the same place, with somebody else… I just want to scream, to whoever keeps doing this, to just stop. Stop bringing us here.”

Violet, unlikely voice of reason (thanks, The Soup)

Violet, unlikely voice of reason (thanks, The Soup)

It is my dearest wish that what we’re witnessing on Private Practice are the first inklings of a deeply devious meta-fictional long con, three seasons and countless births, deaths, and forcible C-sections in the making. Here’s how it would go down – first, it’d just be one or two characters wearing “Shonda Rhimes, puppet-master” tshirts. Then, the characters would gradually refuse to participate in their own over-dramatic death scenes, begin to find each other neither repulsive nor alluring but merely “nice,” and slowly, the show would grind some kind of Beckett-esque halt. With a long sigh as I acknowledge how unlikely that scenario is, I set aside this season’s Private Practice finale as one of my favorite of the season, and can only hope it keeps doing what it does best next fall. Maiming, screwing, baby-swapping, evading the police, aborting, bickering, screaming, marrying, healing, killing, and of course, dying.