“It’s a movie theater, a library, and a music store, all rolled into one awesome… pad.”

2010 April 1
by kvanaren

Modern Family has continued to be an intelligent, consistent, effective leading light in the recent return of the sitcom form. When it’s on point, Modern Family feels universal without being condescending or making generalizations, and it’s wacky and insightful enough to dodge most of the more annoying half-hour clichés. Plus, it’s reliably funny, which is enough to forgive most sitcom sins. It feels like an old-school family comedy that somehow manages to be fresh rather than tired.

I say this all in spite of what happened on Modern Family last night, which was one of the least funny product placement bits I’ve seen. It was Phil’s birthday, and in a coincidence which led him to believe that God and Steve Jobs teamed up to prove how much they loved him, it was also the release date of the iPad. Phil’s totally psyched to go stand in line at five in the morning so he can get one, but his wife Claire says that because it’s his birthday, she’ll go wait in line for him. Classic sitcom obstacles ensue, involving Claire oversleeping and thus missing the window of iPad availability, subsequent frantic across-town calling to try to find one in stock, and an inevitable brawl outside an Apple store when a guy cuts in line. Finally, Phil and Claire’s son Luke scrounges one up by lying about Phil being on his deathbed, and the family gathers together around a glowing touchpad screen, basking in the warmth of early adopterhood.

Look at how much that crazy lady wants an iPad! Also note the cheerfull cutouts of Apple store employees in the background.

Look at how much that crazy lady wants an iPad! Also note the cheerful cutouts of Apple store employees in the background.

Yes, there were two other subplots that did pull a little screen time away from the extended iPad commercial. The “your wife and son can beat you at chess” plotline was a rare instance on Modern Family of a story I feel like I’ve seen twenty times before, but Cam and Mitchell eavesdropping on the neighbors’ soap opera life through the baby monitor was pretty funny. It really doesn’t matter how many subplots you have, though, when Phil spends a great deal of time explaining just how awesome the iPad is, and then the heart-warming family unity moment at the end of the episode looks like this:

modern family 119 1

Did I mention the title of the episode, which is “Game Changer?” Yeah. And leading up to that Apple-inspired scene of family togetherness, Claire walks in carrying the iPad, which has a cake with wavering, realistic lit candles on the screen. Sure enough, Claire says “Happy Birthday!” and Phil walks over, bends down, and blows out the candles. The ones on the iPad screen. As if that’s not enough, he then yells to himself gleefully, “It did not JUST DO THAT!!”

modern family 119 2

Here’s what’s so amazing about the whole episode: according to this LA Times article, this wasn’t even paid product placement! Apple has stated that its only involvement in the episode was supplying an iPad for them to use. Sure, Steve Jobs is on the board of Walt Disney Co., which owns ABC, but it looks like this was all Modern Family’s idea. It’s a shame, because the show has the potential to be one of those shows that will age well, because its humor is usually so good at capturing this decade and connecting it to more universal themes. This seems to be Modern Family trying to cash in on current events, and sacrificing universality for topicality.

Or maybe one of the producers just could not wait to get an iPad, and devised the whole thing as an elaborate scheme to jump to the front of the line.

The State of the Sitcom

2009 September 23
by kvanaren

Tonight ABC is airing the premiere of the new half-hour comedy Modern Family. The premise of the show is the examination of several families, all of them in some way removed from the 1950s nuclear family. There are Jay and Gloria with at least a decade’s age difference between them and Gloria’s child from a previous marriage, the gay couple Mitchell and Cameron who have just adopted a baby, and the most conventional of the bunch, Phil and Claire. Although Phil and Claire have been married sixteen years and have three children, their household looks nothing like the Draper residence – Phil struggles to be the cool dad, Claire strives to be the all-powerful super mom, and they both carefully study their daily calendar to find time to discipline their son.

Phil and Claire, Jay and Gloria, Cameron and Mitchell

Phil and Claire, Jay and Gloria, Cameron and Mitchell

Modern Family does not revolutionize the classic sitcom subject matter. Sitcoms are built around family units (often actually relatives but roommates will do just fine), and undoubtedly the most common sitcom premise is the unusual family. Full House was about two bachelors moving into a house with a widower to help him raise his three daughters. Friends was about a group of young New Yorkers who were also occasionally lovers, siblings, roommates, and ex-spouses. On Fresh Prince of Bel-Aire there was awkward relative Will Smith, on Family Matters there was awkward neighbor Urkel, and on The Cosby Show the audience marveled at the daily life of a normal, comfortable, well-educated, African-American family.

Weird families are funny. But recently, the sitcom has been a dying genre because it has failed to keep pace with the increasing weirdness of the American family unit. The funniest half-hour comedies of recent years have had to either turn the genre on its head and joke about the whole premise (see, How I Met Your Mother) or scrap the sitcom altogether and reinvent the form (awesomely, The Office).

It's the ciiiiiircle of life...

It's the ciiiiiircle of life...

All of which is to say, Modern Family is actually quite entertaining. And it’s because the show reclaims classic sitcom territory, the contemporary American family, with an entirely new central idea – sure, these people don’t look like The Donna Reed Show, but their families are not unusual. They are quirky, self-involved, misguided, defensive, distracted individuals, but they don’t need to rely on their unconventional family arrangements for humor. For them (and, of course, for us) nothing here is startling. We can laugh at the challenges of two gay men raising a daughter without feeling forced into sociological discovery, but we still get the thrill of recognizing truth in the comedy. Like the best sitcoms, we crack up because a gay man is holding his new daughter aloft as music plays “The Circle of Life,” both because it’s ridiculous and because it’s actually the circle of life.

Between Modern Family, Community, and the new seasons of How I Met Your Mother and The Big Bang Theory, the sitcom is in a surprisingly healthy place. I am surprised. I am pleased.