I’d like to talk for a minute about what the heck happened on Castle last night. I like procedurals, and I like Castle, but something about that show makes me go back and forth on whether it is the most conventional, cheerful, laid back of procedurals on the air now or whether it’s performing some much deeper wackiness.
The issue with last night’s episode in particular is one not of type but of quantity. Like most procedurals, Castle likes to capitalize on an audience appreciation for the weirdness quotient by exploring alternate cultures and underground human behaviors. A few weeks ago there was a steampunk episode, and there have also been porn and dominatrix episodes, garden-variety serial killers and crazed Wall Street bankers, murders at weddings, murders at book parties, etc. etc. etc. Last night was no different, and started out with what looked like a dead police officer but was revealed to be a dead man dressed in a tear-away cop uniform. “Oh sure,” I thought, “a male stripper episode. Gotcha.”
Except, last night’s episode also went on to be a Sons of Anarchy-esque biker gang episode, a Jersey Shore episode with one character doing a nice Snooki impression, and a cougar episode, and in the end, it all tied together with a classic the-butler-did-it type ending as the lawyer was revealed to be the one responsible for it all. I give you -
The victim stripper, performing at his final bachelorette party:

His co-worker at The Package Store:

His cougar girlfriend, in her oddly monochrome, sterile, backlit room:

His biker gang rival, who appears to be out for revenge:

And not-quite-Snooki, who was a victim of male stripper’s cougar girlfriend’s evil lawyer’s real estate fraud:

So what’s going on here? Is Castle just particularly schizophrenic in this episode, or is there some underlying consciousness about the bizarre procedural fetish-ization of obscure, frequently sexual subcultures? I doubt it’s the case, but a stripper name as silly as Hans von Mannschaft does make one wonder.



The absurdity of the set-up is part of the pleasure. Without even trying, the tone of the show instantly shifts from something falsely solemn and is instead more campy, more light-hearted, and funnier. For me, the nature of the show’s built in self-commentary device, a mystery writer who solves crimes, immediately adds to the whole appeal and reminds me of some of my favorite mystery novels, those by Dorothy Sayers. Rick Castle is a light-hearted combination of Sayers’ two main characters, Harriet Vane, who works as a mystery novelist, and Lord Peter Wimsey, whose status as a man of leisure allows him to pursue detection as a hobby. Castle is a cheerful, intelligent, confident, goofy guy with ample resources and a wackadoo but happy home life, who walks onto every crime scene because for him, it’s fun. No sad apartment with sagging mattress and pizza boxes on the floor, no clichéd alcoholism, not even the standard tortured back story that makes him outwardly cynical and inwardly sentimental. Castle’s just a smart, silly guy with attention to detail and a love of campy mystery plot taglines. “I can already see the blurb on my next book jacket. ‘It’s Fashion Week in New York City. And the clothes are…to die for.’”